电影历史上任何一次被称为浪潮或运动的变革都在某种程度上残酷地断送了一批大红大紫者的艺术生命,也偶然或必然地捧出一批应运而生者,这除去艺术发展的辩证规律之外,也还包孕着美学与观念的要求。象美国默片明星吉尔伯特在有声片诞生之日起就以失业醉鬼代替了银幕情人的称号;而意大利新现实主义的勃起,使众多的白色电话片的明星失去了饭碗;而同样的道理表明:没有法斯宾德也就没有他的宠将汉娜·许古拉;没有安东尼奥尼的影片也就没有莫尼卡·维蒂的影坛声誉,这是电影创作诸多 Any change in film history known as the tide or movement has cruelly ruined the artistic life of a group of crimson people to some extent, and has occasionally or surely taken out a group of those who came into being, which removes the art In addition to the dialectical laws of development, there are also the requirements of aesthetics and concepts. Like American silent film star Gilbert in the sound of the film since the date of birth on the unemployed drunk instead of the title of the screen lover; and the Italian neoreal erection, many white phone star lost their jobs; the same token that : No Fassbinder would not have his pet Hannah Hulagu; No Antonioni’s movie there would be no film reputation Monica Wei, this is a lot of movie creation