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本文论证了５０年代中国格律诗理论的基础及其理论内涵，认为它继承了新月派、中国新诗派对格律诗的可贵探索，体现了当时的诗歌理论家对于诗创作实践的深入思考。
This article demonstrates the foundation and theoretical connotation of the theory of Chinese metrical poetry in the 1950s. It holds that it inherits the valuable exploration of metrical poetry by the New Moon School and the Chinese neo-poet school and embodies the poet theorists’ deep thinking on poetry practice.