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艺术家的责任感 “责任感是艺术家的良心。 作为一个导演,他有责任更多 地拍摄表现现实生活的影片。” 这是笔者日前访问北影厂 导演董克娜的时候,她针对自 己的新片《幸运的人》所谈的创 作感想。董导演娓娓道来,言谈中蕴含着一种事业女性的自信感。 董克娜是我国影坛上著名的故事片女导演。从影二十多年来,拍摄了十几部影片。无论是处女作《昆仑山上一棵草》,还是近作《相思女子客店》,她都始终把摄影机的镜头,对准沸腾的现实生活,把握时代跳动的脉搏。新片《幸运的人》是一部反映如何大胆使用、提拔知识分子的影片。它从各个不同角度,反映社会不同阶层在对待知识分子的问题上所流露出的不同态度、心理、精绪和观念。
The responsibility of the artist “Responsibility is the conscience of the artist. As a director, he has the responsibility to film more videos that show real life.” This is the author’s recent visit to the North Film Studio director Tonk Na when she targeted her new film “Lucky Man ”The creative feeling of talking about. Dong director Weiweidaolu, talk contains a career woman’s self-confidence. Dong Ke Na is a famous film director on the film scene in China. From the shadow of more than two decades, shooting a dozen films. Whether it is a debut, “A Grass on the Kunlun Mountains,” or a recent “Acacia Hotel,” she has always focused her camera lens on boiling real life and grasped the pulse of the times. The film “Lucky Man” is a film that reflects how to boldly use and promote intellectuals. From different angles, it reflects the different attitudes, psychologies, emotions and beliefs that different classes of society have shown in their treatment of intellectuals.