对于舞蹈来说,训练价值及审美表现非常密切,训练即课堂里的千变万化,审美则涉及到了舞台上的五彩缤纷,从课堂到舞台,是每一个成熟的舞蹈演员的必经之路,训练是基础,而审美是最终的舞台呈现,同时,训练中又蕴含着审美,二者不可完全割离而单独存在。“身韵”是古典舞的核心,是古典舞能够成立的立身之本,它发展了戏曲中称为“身段”的“以腰为轴”的动作原理,在“提、沉、冲、靠、含、腆、移”动作 For dance, training values ​​and aesthetic performance are very close, training that is the ever-changing classroom, aesthetics is involved in the stage of the colorful, from the classroom to the stage, every mature dancers must pass, training is the foundation , While the aesthetic is the ultimate stage present. At the same time, the training also contains the aesthetic, and the two can not be completely separated and exist alone. “Body rhyme ” is the core of the classical dance, is the foundation of the classical dance can be established, it has developed the opera called “figure ” “with the waist as the axis Mention, Shen, red, by, containing, 腆, move ”action