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本文梳理、考察了近百年来不同时期的文学选本收录郭沫若《凤凰涅槃》的情况,从选本角度还原了《凤凰涅槃》由民国选本的“缺席者”到共和国选本的“宠儿”之经典化过程,论析了这一过程的生成机制,揭示出政治语境和诗歌逻辑等作用于《凤凰涅槃》之“选本史”、作用于其“经典性”建构的特点。《凤凰涅槃》经典化是由选家、读者参与在变化着的历史语境中完成的,其“经典性”是由《选本》参与“叙述”而建构起来的,它是否属于穿越时空的诗歌经典尚不敢确定。该文对重新认识既有的“新诗经典”具有启示价值。
This article reviews and reviews the case of Guo Moruo’s “Phoenix Nirvana” collected by literary texts in different periods over the past century. It restores the “Phoenix Nirvana” from the “absentee” of the Republic of China to the “ ”Beloved“ of the classic process, analysis of the formation mechanism of this process, reveals the political context and poetry logic role in the ”Phoenix Nirvana“ of ”Selected History“, in its ”classic “Construction features. The classicization of ”Phoenix Nirvana“ is accomplished by the participation of both the candidate and the reader in the changing historical context. Its ”classicness“ is constructed by the participation of ”anthology“ and ”narration“. Whether it is Belonging to the classical poetry through time and space is not sure. This article has enlightenment value for re-understanding existing ”New Poetry Classics ".