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2000年开春,凛凛风,潇潇雨,花溅泪,人断魂,一代风流尹桂芳,与世长辞。从此,这位艺高德馨的人民艺术家,在我们深深的怀念中……越剧成为现代概念的越剧,是由女子越剧造就的。女子越剧于20世纪30年代在上海兴起,经历了从“三花一娟”到“十姐妹”的发展阶段而走向辉煌;及至共和国诞生后的50年代后期,以流派纷呈,各领风骚,群星灿烂,蔚为大观而登峰造极。女子越剧与众不同而又唯我独有的美学价值,在于女演男的艺术,而小生艺术是女演男的艺术主体;故在越剧舞台艺
The spring of 2000, the cold wind, Xiaoxiao rain, flowers splash tears, people break the soul, the generation of romantic Yin Guifang, died forever. Since then, this art high German people’s artists, in our deep nostalgia ... ... Yue Opera became the modern concept of Yue Opera, was created by the female Yue Opera. The rise of the female opera in Shanghai in the 1930s has experienced brilliant stages from the stage of development of the “Three Flowers and One Juan” to the “Ten Sisters.” To the late 1950s after the birth of the Republic, Celebrity leadership, brilliant stars, Wei Daoguan and peak. The aesthetic value of the uniqueness and uniqueness of the woman’s opera is the art of the male actress, and the niche art is the artistic subject of the female actress. Therefore,