论文部分内容阅读
《唱论》作为一部声乐演唱理论专著,基本涵盖了声乐艺术的主要内容:如古代著名的歌唱家乐曲曲目的选择,曲牌的名称,流行的地域,歌唱调式调性的特点,歌唱的咬字、气息、节奏、演唱技巧、风格、调式运用、常见毛病、不正确声音以及姿势等,对中国古代声乐教育的教学理念、审美要求、歌唱技巧和歌唱毛病都进行了系统的阐述。《唱论》对我国一脉相承的声乐教学和演唱规范提供了有力的理论支持,对我国歌唱艺术和歌唱教学的研究起到了积极的促进作用。
As a monograph of vocal music theory, “Singing Theory” basically covers the main contents of vocal music art, such as the choice of famous singer’s music track, the name of tunes, the popular area, the characteristic of singing and toning, the bite of singing , Atmosphere, tempo, singing skills, style, mode of application, common faults, incorrect sounds and postures, etc., We systematically elaborate on the teaching concepts, aesthetic requirements, singing skills and singing defects of vocal education in ancient China. “Singing Theory” provides a powerful theoretical support for the vocal teaching and singing norms of the same strain in our country, and plays a positive role in promoting the study of singing art and singing teaching in our country.