简介李才根,四川简阳市人。1973年应征入伍到新疆,曾在新疆部队服役二十年。毕业于西安美术学院研究生班,获硕士学位。现任西安美术学院国画系教授,研究生导师,陕西省国画院特聘画家。名家点评作为一种文化的‘标高千’,千百年来,很少有人能够走出烟雨迷蒙的江南。于是,‘撑着油纸伞/独自彷徨在悠长、悠长/又寂寥的雨巷’的戴望舒便成了一种走不出‘江南’的文化象征。我们需要‘走出’的力量和诗意,于是,有了李才根的画。我以为,才根的努力主要体现于以下几个方面:第一,去古。李才根任着一口气,逞着一管笔,滔滔写来,自成气象;第二,去闲寂。闲与寂历来是文人画家所偏爱的境界。才根的画,不是没有闲寂,而是闲寂之中多了隐形的力量;第三,去恬淡;第四,重新强调书法 Brief introduction Li Caigen, Jianyang City, Sichuan people. Joined the army in 1973 to Xinjiang, Xinjiang served in the army for 20 years. Graduated from the Xi’an Fine Arts Institute graduate class, a master’s degree. The Xi’an Academy of Fine Arts professor of traditional Chinese painting, a graduate tutor, Shaanxi Province Painting Academy Distinguished artist. As a kind of cultural standard, famous commentary, for thousands of years, few people can come out of the misty rainy Jiangnan. As a result, Dai Wang-shu, who was holding an oil-paper umbrella and alone in a long, lonely and lonely rain lane, became a cultural symbol that could not get out of Jiangnan. We need the strength and poeticness of going out, so there is the painting of Li Caigen. I think that only the efforts of the root mainly reflected in the following aspects: First, to the ancient. Li Caigen took a breath, flirted with a pen, surging to write, self-evident; second, to silence. Leisure and loneliness have always been the favors of scholars and painters. Only the roots of the painting, not without idle silence, but idle in the more invisible forces; third, to tranquil; fourth, re-emphasis on calligraphy