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康德把崇高作为一个重要的美学范畴,首次从先验哲学的高度对这一概念作了深入的探讨。他将崇高与美进行对比,揭示出二者的共性与区别,并通过数量崇高与力量崇高的划分,进一步丰富和拓展了崇高的内涵,真正确立了崇高论在西方美学史上的独特地位。文章分析和梳理了康德美学对崇高论的贡献与局限,其为对康德美学做出价值判断的重要依据,有助于加深人们对西方现代美学的理解。
Kant regarded sublime as an important category of aesthetics for the first time explored this concept from the perspective of transcendental philosophy. He compared the sublimeness and the beauty, revealed the similarities and differences between the two and further enriched and expanded the lofty connotation through the division of the lofty and the sublime strength of power. He truly established the unique position of sublime in the history of Western aesthetics. The article analyzes and sorts out the contribution and limitations of Kant aesthetics to lofty theory, which is an important basis for judging the value of Kant aesthetics and helps to deepen people ’s understanding of western modern aesthetics.