蒋演创作戏曲《洛源书生》的过程是一次试图超越自我的顽强过程。一方面受戏曲剧本传统套路的束缚,虽轻车熟路,但是缺乏创新,更重要的是难于和当代观众产生心理共鸣;另一方面她试图化茧成蝶,建立新的创作方法……蒋演就是在这样的两难状态下不断放弃、重构,再放弃、再重构一稿一稿坚持过来的,这也是年轻编剧搞创作的必由之路,可喜的是新一稿已经显示出了自我超越、自我更新的气象,可望通向不同凡响。 Jiang Yan’s opera “Luo source scholar” is a tenacious process trying to surpass himself. On the one hand, the shackles of the traditional script of the opera script, though lightly versed in, are lack of innovation and, more importantly, difficult to resonate with contemporary audiences; on the other hand, she attempts to turn cocoon into a butterfly and establish a new creative method. This dilemma constantly give up, rebuild, and then give up, and then rebuild a draft manuscript to adhere to, which is the only way for young writers to engage in creative work, the gratifying is the new draft has shown a self-transcendence, self-renewal Meteorology, is expected to lead to extraordinary.