我想给戏剧表演理论提出一个概念:演员的“人物形象构思”。我认为它是演员创造人物形象过程中的一个环节,一条规律,因此,它也应该是表演教学的一项重要内容。任何艺术形象的产生,都离不开艺术家在逻辑思维的指引下,运用形象思维,进行艺术构思的过程。就是说,艺术家在创作艺术形象以前,总要按一定的创作意图,创造性地运用形象来进行艺术构思,从而使自己可以在脑子里先“看”到未来的艺术形象;或者象诗人贾岛苦吟地琢磨他脑子里“僧推月下门”形象和“僧敲月下门”形象那样,“推敲”脑子里的形象。然后,他在创作时,就能把脑子里所构思的形象,创造成为直观的,即能为人们直接感受到的具体形象。 I would like to put forward a concept for theatrical performance theory: the “figure idea” of the actor. I think it is a part of the actors in the process of creating character images, a law, therefore, it should be an important part of teaching performance. The production of any artistic image can not be separated from the artist’s thought of logical thinking and artistic conception. That is to say, before creating an artistic image, an artist always creatively uses the image to create an artistic idea so that he or she can “see” the artistic image of the future in his mind first; or if he is like a poet, To figure out his mind “monk push the door next month,” the image and “Monk knock on the door next month,” as the image, “scrutinize” the image of the mind. Then, at the time of creation, he can create an image that is conceived in his mind as an intuitive one, that is, a specific image that people can directly feel.