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结合奥尼尔几部重要作品,探索奥尼尔悲剧意识的形成过程。通过对当时资本主义社会文化的影响、古希腊悲剧到莎士比亚悲剧的伟大传统、西方现代哲学、现代心理学,以及家庭和个人早期苦难的生活经历等几个方面的研究,认为:在《送冰的人来了》和《月照不幸人》中,他否定了宗教对人类的拯救功能;《悲悼》体现了古希腊悲剧中命运锁链之罪与罚的情结;《榆树下的欲望》的恋母情结;《悲悼》中的恋父情结;《长夜漫漫路迢迢》中家庭生活的悲剧。
Combining with some important works of O’Neill, this paper explores the formation of O’Neill’s tragic consciousness. Through the study of the capitalist social culture at that time, the great tradition of the ancient Greek tragedy to the tragedy of Shakespeare, the western modern philosophy, modern psychology, and the life experiences of the early suffering of family and individuals, He “denied the salvation function of religion to mankind;” mourning “embodies the complex of sin and punishment of the chain of destiny in the ancient Greek tragedy; the” love of desire under the elm “ Mother’s love knot; Electra Complex in ”Mourning"; the tragedy of family life in The Long Night Mourning.