戴增海:1948年生于北京。曾任国务院办公厅警卫处副师职副处长。2007年二月转业到中国美术馆学术一部,现为中国美术馆副局级干部。戴增海的花卉艺术可以从其师承关系上得知,他自80年代开始从师高宗水学习绘画,宗于非闇画风,师承俞致贞画韵,悉心练习,笔耕不辍,作品风格清新、韵味醇厚。于非闇一派的花鸟画非常重视古意,以宋元诸家为宗,学习明清名家,对花鸟画有着精粹理解,在继承中求发展,于突破中有创造,渗透出时代气息。高宗水给予戴增海的影响是直接的,他在追随高宗水学习绘画的时候,不但深得老师真传,而且也非常重视摹古,从古代绘画遗产中汲取传统精华。他临摹了唐宋以及明代林良吕纪的画作、于非闇的《玉兰黄鹂》。临摹不是简单地 Dai Zenghai: Born in Beijing in 1948. Former Deputy Secretary of the Deputy Chief of Security Department of the General Office of the State Council. In February 2007, he was transferred to the academic department of China National Art Museum and is currently deputy director-level cadre of China Art Museum. Dai Zenghai’s flower art can be learned from his teacher-teacher relationship. Since the 1980s, he has studied painting with Gao Zong-shui and has studied in non-secret style. Yu Shizhen has been practicing painterly painting, practicing painstakingly and practically. His style is refreshing and full of flavor. The flowers and birds paintings of the non-secret school attach great importance to the ancient ideas. Taking the Song and Yuan dynasties as their example, they studied the masters of the Ming and Qing dynasties and learned the essence of flower and bird painting. They sought for development through inheritance and created the atmosphere of the times. The impact given by Gao Zongshui to Dai Zenghai was direct. When he followed Gaozong Shui to learn from painting, he not only gained true teacher’s knowledge, but also attached great importance to Mogu and learned the traditional essence from the legacy of ancient painting. He copied the paintings of the Tang and Song dynasties as well as the Lin Lv Ji in the Ming Dynasty, in the non-dark “magnolia oriole.” Copying is not simple