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在审美鉴赏中,对话关系一般被理解为诗情画意般、情景交融式的和谐与同一,它呈现了对话中“顺向”的交流方式,给人心以圆满和抚慰的感觉。但是由于人的心理场和客观的物理场并不经常表现为同步的协调,所以对话关系中同样充满了剑拔弩张式、情景对立式的对抗和失衡。后者作为“逆向”的交流方式,虽然表面上破坏了这种对话关系,但是于艺术本身却加强了艺术表现的张力,呈现了生命潜在的力量,成就了审美鉴赏中独特的审美风景。
In aesthetic appreciation, the relationship between dialogues is generally understood as a poetic, harmonious blend of the same scene. It shows the “forward” communication in the dialogue and gives people a complete and soothing feeling. However, since the human psychology field and the objective physics field are not often shown as synchronous coordination, the dialogue relationship is also full of confrontation and imbalance in the opposite direction. The latter, as a “reverse” way of communication, ostensibly destroys this kind of dialogue, but in the art itself, it strengthens the tension of artistic expression, presents the latent power of life, and achieves the unique aesthetic scenery of aesthetic appreciation .