广东戏曲似乎一直不太为内地人所关注,这当中有欣赏品味、审美习惯、语言沟通等多方面的原因。在广东本土,特别是广州、深圳、珠海等大城市,走进剧场看戏的人也在减少。戏曲,这位几百多年来备受大众娱乐、消费关注的佼佼者,似乎正在一点点退出历史的舞台。在娱乐、消费方式多元化的今天,广东戏曲究竟有多大的生存空间?它的受众群体究竟在哪里?春节之 Cantonese opera seems to have been less concerned about the mainland people, among them there are many reasons for appreciation of taste, aesthetic habits, language communication. In Guangdong, especially in Guangzhou, Shenzhen, Zhuhai and other big cities, the number of people who went to theater to watch movies is also decreasing. Opera, this hundreds of years much public entertainment, consumer concern leader, seems to be a little bit out of the stage of history. In today’s diversified entertainment and consumption patterns, how far is the drama of Guangdong opera? Where is its audience?