宽泛地说,我不认为艺术可以与历史、政治无关,具体到《色·戒》这部影片,更是如此。不过,本文尽量不谈历史与政治,而是首先把《色·戒》看作一个虚构的故事,并且主要作为一个虚构的故事来讨论。在此基础上,本文也试图揭示这个故事背后的话语——不是导演个人的意图,而是集体性的,包括了观念、制度与实践等层面的“话语”。 Broadly speaking, I do not think that art can be historically or politically irrelevant. It is even more so when it comes to the film Color and Caution. However, this article tries not to talk about history and politics as far as possible. Instead, I first consider “Color Ring” as a fictional story and mainly discuss it as a fictional story. On this basis, this article also attempts to reveal the discourse behind this story - not the director’s personal intention, but the collective, including the concept, system and practice of the “discourse.”