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本文以甘肃省的炳灵寺石窟为例,通过研究岩彩颜料在古代敷彩造像色彩中的艺术表现,一方面使得岩彩颜料技法得以良好的传承与延续;另一方面,还可以对古代不同时期的敷彩造像有一个较为全面的了解,对作为我国古代文化遗产一部分的敷彩造像进行应有的梳理与记录,以期这些伟大的古代艺术创作在今天仍能给予我们以美的享受和艺术创作上的巨大启迪。并且笔者希望它们能够在相关的学术领域起到些许的价值。
Taking the Bingling Temple Grottoes in Gansu Province as an example, this paper studies the artistic expression of the rock color pigments in the ancient color statues. On the one hand, the technique of the rock color pigments can be well inherited and extended; on the other hand, There is a more comprehensive understanding of the colorful lottery statues in different periods, which should sort out and record the colorful lottery statues which are part of the ancient cultural heritage of our country, so that these great ancient artistic creations can still give us beauty and enjoyment today Creative inspiration. And I hope they can play a little value in the relevant academic fields.