一少数民族戏剧从来就是“弱势戏剧”。这在古今中外的多民族国家里,大抵如此。在中国,许多少数民族聚居于边疆地区,过去由于关山阻隔,交通闭塞,信息不畅,与中原地区缺少正常的文化交流,导致藏戏、门巴戏、白剧、傣剧、壮剧、侗剧、布依剧等长期不为中 A minority drama has always been “Weak drama ”. This is generally true in the multinational nations at all times and in all countries. In China, many ethnic minorities live in border areas. In the past, the lack of normal cultural exchange with the Central Plains resulted in the blocking of traffic in Guanshan, traffic congestion, and lack of information. As a result, Tibetan opera, memba opera, white drama, Dai drama, Buyi drama and other long-term is not