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在中国现代文学史中,母亲作为极具深刻涵义的形象,不管是从社会学角度、伦理学角度、教育学角度,或者是在真实生活中,都以关键角色出现:她作为女儿角色的延展,还作为妻子潜在角色的存在。在《追梦人》剧本的创作过程中,作者将母亲作为剧本着力刻画描写的对象,从女性自身的体验和对生活的反应,以及她们的价值观等诸方面去塑造女性形象,使整部剧本弥漫着浓浓的女性主义情结和女性意识。
In the history of Chinese modern literature, the mother as a very profound image, whether from a sociological point of view, ethics point of view, pedagogical point of view, or in real life, a key role: her role as a daughters extension , But also as a wife's potential role. In the process of the creation of “Dream Catcher” script, the author tries hard to depict the depictions of her mother as a script, shapes the female image from the aspects of women's own experience and reaction to life, and their values so that the entire script Filled with a strong feminist complex and feminine awareness.