众所周知,在电视艺术领域里,特别是在电视剧艺术领域,少儿题材作品从数量到质量一直处于并非乐观的局面。客观上讲,少儿题材作品收视率较低播出时段较弱,因而广告天地狭窄、投资者少,很难进入市场,进而投身于少儿题材作品的艺术工作者也日渐稀少。从主观上看,创作者偶尔为之或缺少对孩子心灵世界的真知;或缺少对于新时期、当今时代孩子 As we all know, in the field of television art, especially in the art of television drama, children’s theme works have not been optimistic in terms of quantity and quality. Objectively speaking, the audience of children’s works has a relatively low viewing rate and has a weak broadcast period. As a result, the world of advertising is narrow, investors are few and it is difficult to enter the market, and the number of artists who devote themselves to children’s works has also become scarce. From a subjective point of view, creators occasionally lack or lack the true knowledge of the child’s spiritual world; or lack of knowledge about the new era, children of the present age