一九八一年的西安舞台,繁荣中略显萧条。上座率为70％,比去年略有下降。由于我们及时注意了疏导,若干地方又有了新的进展。革命历史题材与本地题材继续受到重视近年来,西安剧坛的现代戏一直在创作剧目中占有相当比例。比较重视革命历史题材和本地题材,又是陕西戏剧创作上的一个特点。这一年的创作剧目中,现代戏约占60％。西安易俗社,前两年在《西安事变》中,尝试用古老的秦腔艺术表现周总理的形象,较好地解决了领袖人物在戏曲舞台上如何唱的问题。杨克忍、李哲明同志在这个基础上进一步尝试现代 Xi’an stage in 1981, slightly depressed in prosperity. The attendance rate was 70%, a slight decrease from last year. Thanks to prompt attention to easement, new progress has been made in several places. Revolutionary historical themes and local themes continue to be valued In recent years, the modern drama of the Xi’an theater has been a significant proportion of the creative repertoire. More emphasis on the revolutionary history themes and local themes, but also a feature of Shaanxi drama creation. In this year’s creative repertoire, modern drama accounted for about 60%. Xi’an Yishe Club, the first two years in the “Xi’an Incident”, trying to use the ancient art of the performance of the Prime Minister Zhou Chou image, a better solution to the leaders in the opera stage how to sing the problem. Yang Ke-ren and Comrade Li Zheming further tried on this basis