毛主席关于新诗要“从民歌中吸引养料和形式”的精辟见解,是建立在对诗歌发展规律深刻认识的基础上的。就我国诗歌发展的历史来看,每一种新体裁的出现,都不外乎两方面的因素:一是向民歌学习,一是对历史上同类体裁的批判继承。开创我国诗歌现实主义传统的《诗经》中的国风,本来就是各地的民歌,它采用的四言体这种形式,起于周初,盛于西周、东周之际,而衰于秦汉;和“风”并称的骚体,也是战国时代楚地的民歌,后经大诗人屈原运用和改造,形成了一种富于浪漫主义色采的新诗体。他的 Chairman Mao’s brilliant insights on the new poems that “attract nourishment and forms from folk songs” are based on a profound understanding of the law of the development of poetry. As far as the history of the development of Chinese poetry is concerned, the appearance of each new genre is no more than two aspects: one is to learn from folk songs; the other is to criticize and inherit similar genres in history. The national wind in the “Book of Songs” which opened the tradition of Chinese poetic realism was originally a folk song everywhere. It took the form of the four-character body from the beginning of the Zhou dynasty to the beginning of the Zhou dynasty and the East Zhou dynasty, The “Sao”, also called the “wind”, is also the folk song of the Chu period in the Warring States Period. After the adoption and transformation of the great poet Qu Yuan, it formed a new style of poetry full of romanticism. his