本刊自一九八三年第二期开展“关于戏剧作品生命力问题的讨论”以来,得到省内外戏剧界、文艺理论界同志们的热情支持。大家本着“百家争鸣”的方针,从思想到艺术、从创作到实践、从舞台到观众……等各方面畅所欲言、各抒己见,写出了一批有质量的文章,发表了不少有益的见解,相信无论对繁荣戏剧创作还是活跃理论批评,都将是富有启示性和推动力的。限于版面和时间,在发表辛夷同志“努力创作体现我们伟大时代精神的戏剧作品”这篇具有一定的综述性的文章后,讨论就此结束。我们谨向为本栏撰稿和关心这一讨论的同志们致以由衷的谢忱! Since the publication of the “Discussion on the Vitality of Drama Works” in the second issue of 1983, the magazine has received enthusiastic support from comrades in the theater and literary theorists both at home and abroad. We all speak in a spirit of “one hundred schools of thought” principle, from thinking to art, from creation to practice, from the stage to the audience ... and so forth freely, express their views, write a number of quality articles, published a lot of useful insights, Believe that both for the prosperity of the theater or active theoretical criticism, will be enlightening and driving force. Due to the layout and the time, the discussion ended with the publication of a commentary which was commendable by Comrade Muhammad “to create a dramatic work that embodied the spirit of our great age.” We sincerely thank all the comrades who contributed to this column and are interested in this discussion.