自清代地方戏兴起发展到近代戏曲,演出的组织多为以一两个主要演员做核心的班社,逐渐形成了以主角为中心的演出制度。对于传统戏曲来说,“导演”绝对是个外来词语。但自有戏曲演出以来,虽无导演专业职称之名,却有导演艺术职能之实。在“主角制”下,或由负责“攒戏”的教戏师傅 Since the rise of local opera in the Qing Dynasty to the development of modern Chinese opera, the performance organization mostly consisted of one or two main actors in the core of the clubs and gradually formed a protagonist-centered performance system. For traditional opera, “director” is definitely a foreign word. However, since the performance of its own opera, although there is no director of professional titles in the name, but the director of art functions. Under the “protagonist”, or by the responsible for “save play” master of the game