中国第六届“映山红”民间戏剧节中,河南平煤集团 公司曲剧团参演的新编清装故事剧《清州遗怨》荣获“演出一等奖”的同时,荣获“舞台设计一等奖”。我作为本剧的设计者,有获奖的荣幸,有付出辛勤劳动得到回报的欢欣,而感慨颇多的是我对戏曲舞台美的艺术追求,终于被观众、专家承认。在接到《清州遗怨》的剧本后,如何进行舞台艺术创作中,我面临着艰难的选择。1.解释剧本式的设计,省心省力,没有失败风险。但必定禁铟创作艺术灵感,造成刻版的舞台模式。2.听从导演的具体安排,肯定又是将创作陷入到导演的个体思维之中。3.对传统形式“捏碎重塑、焕然一新”。创造独立完整,有机统一的艺术整体。我选择了后者。在设计过程中,我突破传统戏曲程式约束,摆脱舞台美术单纯为表演提供环境的被动创作模式。使舞台设计深入剧情,表现内在情感和主题。运用现代技术手段,因地制宜,使表、导、音、美相互补充,相互协调,相互依托,相互统一,共同创造出全新多方位情感剧的舞台氛围。 In the sixth “Azalea” folk drama festival in China, the newly-drafted storytelling series “Qingzhou Lost” was won the “First Prize of Performing Performance” at the Newly Opened Drama Theater of Henan Pingmei Corporation. At the same time, it won the first prize of stage design “. As the designer of this series, I am honored to receive the award. There is joy in return for hard work, and I am deeply touched by the artistic pursuit of the stage beauty of the opera, which has finally been acknowledged by the audience and experts. After receiving the script of ”Cheongju Regret“, I was faced with a difficult choice of how to perform stage art. 1. Explain the script-style design, worry and effort, there is no risk of failure. However, Indium must be banned from creating artistic inspiration and creating the stage pattern for engraving. 2 follow the director’s specific arrangements, it is surely creative into a director’s individual thinking. 3. The traditional form of ”crumbling remodeling, a new look." Create independent and complete, organic unity of the art. I chose the latter. In the design process, I broke through the constraints of the traditional drama program and got rid of the passive creative mode of stage art that simply provided the environment for performance. Make the stage design in-depth the story, showing the inner emotion and theme. The use of modern technology means, according to local conditions, the table, guide, sound, the United States complement each other, mutual coordination, mutual support and mutual reunification, to create a new multi-faceted emotional drama stage atmosphere.