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本文拟从宋词化用唐诗的角度切入,就周邦彦对晚唐诗人李商隐的化用现象着手,结合中西方文艺理论的批评手段,究其原因通过试图分析周邦彦化用的手法,探求诗词一脉相承、推陈出新的规律在周词中的具体出现。艺术的模仿在于局部的吸纳和自我创新整合。
This article intends to start from the perspective of Tang Cihua in the use of Tang poetry. Zhou Bangyan starts with the turning point of the late Tang Dynasty poet Li Shangyin and criticizes the theory of Western and Chinese literary criticism. By analyzing the reasons why Zhou Bangyan used it, , The emergence of new laws in the specific appearance of words. The art of imitation lies in the local absorption and self-innovation integration.