作为实用工艺美术的铜镜是古代社会生活、文化思想及审美意识的集中反映,不同时期的铜镜具有鲜明的时代特征,并随着社会的变迁而不断发展。宋代铜镜除了对汉唐风格的延续外,焕发出饱含时代气息的新面貌,呈现出强烈的世俗化倾向。本文通过对宋代铜镜的全面分析,揭示其世俗化的诸多表现,探究其深层原因。 Bronze mirrors, as practical arts and crafts, are the concentrated reflection of ancient social life, cultural thoughts and aesthetic awareness. Bronze mirrors of different periods have distinctive characteristics of the times and continue to evolve as the society changes. In addition to the continuation of the Han and Tang dynasties, the bronze mirror of the Song dynasty glowed a new face full of the flavor of the times and showed a strong secularization tendency. Through a comprehensive analysis of bronze mirrors in the Song Dynasty, this article reveals many manifestations of its secularization and explores its underlying causes.