在传世的明清绘画中,我们经常看到“仿某某”的字样,这些作品一般都是仿“南宗”文人画,如董其昌的《仿巨然之笔》(图1)、沈周的《仿大痴山水图》(图2)、文徵明的《仿米氏云山图》(图3、4)、陈淳的《仿米云山图》(图5)等等。明清之际,文人画坛仿古成为风气,动辄“仿大痴”、仿“倪瓒”。 In the Ming and Qing dynasties paintings handed down from the past, we often read the words “imitating a certain”. These works are generally imitated “scholarly paintings of the Southern Sect” such as Dong Qichang’s “supernatural” (Figure 1) , Shen Zhou’s “Imitation Oliver Landscape” (Figure 2), Wen Zhengming’s “Imitation Mie Yunshan Figure” (Figure 3,4), Chen Chun’s “Mimi Miyun Figure” (Figure 5) and so on. On the occasion of the Ming and Qing Dynasties, the literati’s portrait became the trend of the antique, often “imitation of the big idiot,” imitation “Ni 瓒 ”.