论文部分内容阅读
从传统绘画上看,线是绘画构成的基本语言,只有线与形结合在一起才能体现出画家的生命形态,以及与之相应的时代的审美特征。每个时代的线与形的演化,都具有了时代的印记。张大千的泼墨山水画敢于打破传统语言体系,并把将绘画的基本语言所体现的生命轨迹隐于绘画的本质精神中,运用中国绘画的基本精神去创造了属于画家本人独特的绘画语言体系。
From the traditional painting point of view, the line is the basic language of painting, only the combination of line and form can reflect the artist’s life form, and the aesthetic characteristics of the corresponding era. The evolution of lines and shapes in each era has the imprint of the times. Zhang Daqian’s ink-and-wash landscape painting dares to break the traditional language system and implicitly traces the life trajectory embodied in the basic language of painting to the essential spirit of painting. It uses the basic spirit of Chinese painting to create a unique painting language system belonging to the artist himself.