论文部分内容阅读
黄维钧(本刊副编审): 《搭错车》演出超千场以后,进京来了。对这个戏的评价不一,但是不少人认为在戏剧演出不景气的当口,这是一个不可轻忽的重大戏剧现象。现在需要冷静地、认真地、科学地分析、认识这种现象,探讨其中的规律,提高其艺术化程度。希望今天这个会除对戏本身进行评析外,还能就这种现象展开探讨,我们开的是艺术探讨会,不同意见尽说无妨。王育生(本刊副王编): 沈阳话剧团前年到北京演出《少帅蒙难记》,反响不错,回沈阳之后,春节期间演出,却卖不出票。当时一些并不出名的香港歌星赴沈演出,票价颇高却十分抢手。剧团的困境和债务,迫使剧团领导研究当
Huang Weijun (deputy editor of this magazine): “take the wrong car,” After over a thousand performances, came to Beijing. The ratings for this show vary, but many people think that when the performance of the theater is in a downturn, this is a major dramatic phenomenon that can not be ignored. Now it is necessary to calmly and scientifically analyze and understand this phenomenon, discuss the laws therein, and enhance the degree of its artistry. I hope this Council will conduct an analysis of this phenomenon in addition to the analysis of the play itself. What we have is an art seminar, and different opinions can be said. Wang Yusheng (the second deputy editor): Shenyang Repertory Theater performed two years ago in Beijing, “Marshal Misfortune in mind,” a good response, back to Shenyang, during the Spring Festival, but can not sell tickets. At that time, some Hong Kong singers who were not famous went to Shen to perform well, but the fare was very high but very popular. Theater troubles and debt, forcing the theater leadership research