过去,一谈到繁荣影视剧创作,我们往往较多地从外部环境上找原因,如领导关心支持不够啦,体制不顺、财力匮乏啦等等。自然,目前文艺创作的环境距离理想的状态尚有相当的距离,但去冬今春以来,伴随着文艺由计划经济模式向市场经济的转轨,以电影发行体制的改革为先声,整个文艺体制都出现了或正在酝酿着实质性的大动作。随之而来的问题是,当外部环境逐渐趋于完善,当体制问题逐渐理顺之后,是否就一定能顺理成章地出现文艺繁荣的局面?举例说,我们常羡慕国外搞影视剧的制作投资高,而我们则无法与之比拟,如果真给了你那么多钱,是否你就能拍出观众要看的片子来呢? 前一段时间,关于文化人“下海”的议论 In the past, when talking about the prosperity of film and television dramas, we tend to find more reasons from the external environment, such as lack of care and support by leaders, unsoundness in the system, lack of financial resources, and so on. Naturally, at present, the environment for literary and artistic creation is quite far from the ideal. However, since the winter of this year, along with the transition of the planned economy from the planned economy to the market economy, the reform of the film distribution system has taken the lead in reforming the whole literary and artistic system Appeared or is brewing substantial action. The ensuing question is: When the external environment is getting more and more perfect, and when the institutional issues are gradually straightened out, will it be possible to have a literary prosperity in a logical and logical manner? For example, we often envy high investment in the production of foreign films and TV shows , And we can not be compared with, if really gave you so much money, whether you can shoot the audience to see the film come? Some time ago, the culture of people “to the sea” argument