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在新中国创作版画兴起的半个多世纪里,军旅版画占有极其重要的地位。一方面,军旅版画在 艺术上继承和发扬了解放区新兴木刻的优良传统,以关注社会与生活的现实主义创作方式为 主,创作出了一批具有军旅风格和军旅气派的艺术作品;另一方面,它又根据时代的需求和部 队的特征,采用最直接的途径和最佳的方式发挥了版画艺术的社会作用与审美功能,在艺术境 界与现实意义上取得了不可替代的成就。本文通过对上个世纪末的第九届全国美展、本世纪初 的全军第十届美展和第十六届全国版画展三个重要的主流大展中军旅版画家的作品性质与特 征的分析,剖析当代军旅版画的精神指向和语言内涵,并引发出一些值得深思的问题。
In the more than half a century since the founding of new China’s creations, military print occupies an extremely important position. On the one hand, military printmaking inherits and carries forward the fine tradition of emerging woodcuts in the liberated areas on the one hand, focusing on the creation of realism in society and life and creating a number of works of art with military style and military style; on the other hand, It plays a social and aesthetic function of printmaking art in the most direct way and the best way according to the needs of the times and the characteristics of the armed forces and has made irreplaceable achievements in the artistic realm and practical significance. Based on the analysis of the nature and characteristics of the works of military brigadisographers in the three major mainstream exhibitions of the Ninth National Art Exhibition of the end of the last century, the 10th National Art Exhibition of the 10th Army in the beginning of this century and the 16th National Print Exhibition, Analyze the spiritual orientation and language connotation of the contemporary military print, and trigger some questions worth pondering.