论文部分内容阅读
在广东的曲艺舞台上,大喉是一个比较特别的演唱行当。说它特别,一是演唱大喉的人向来不多,即使在过去的大半个世纪里出现过原妙生、熊飞影、白燕仔等名唱家,但亦未出现过像平喉那样名家辈出的局面;二是尽管大喉的曲目素来有限,但大喉却和子喉、平喉有一种难以替代的“亲和力”,一名高水平的粤曲演唱会,如果光有平喉和子喉的演唱,观众陶醉之余总会感到少了点什么。换言之,如果少了大喉独唱和大、平喉对唱、大、子喉对唱,广东曲艺的行当魅力也会因此而逊色几分。
Cantonese opera stage, big throat is a more special concert business. To say that it is special, first, people who sing big throats have never been much, even though in the past half a century there have been the original Miao, Xiongfei Ying, Bai Yan Tsai and other famous singers, The second is that although the throat has always been limited, but the throat and throat, throat, there is an irreplaceable “affinity”, a high level Cantonese opera, if the light is flat throat and throat singing , The audience intoxicated I always feel less what. In other words, if less big throat solo and big, flat laryngeal duet, big jingle, duet lame, Cantonese opera art charm will be inferior.