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诺贝尔奖获得者托妮·莫里森的小说《宠儿》为我们揭示了美国黑人,尤其是黑人女性在奴隶制及其遗毒下悲惨的生活。他们最深层次的悲哀来源于无法建立其主体性。这一点,在她们获得自由的最初几十年里,依旧适用。本文从正视过去,剥离身份标签,以及扎根在同胞之间三个方面分析和探讨塞丝主体性的艰难建构过程,以期为美国当代黑人在白人主流文化中保持主体性和为我国在吸收外来先进文化的过程中保持民族文化主体性提供一些启示。
Nobel Prize winner Toni Morrison’s novel The Beloved reveals the miserable life of Afro-Americans, especially black women, under slavery and its legacy. Their deepest sadness stems from their inability to establish their subjectivity. This is still true for the first few decades after their liberty. This article analyzes and explores the difficult construction process of Main’s subjectivity from the aspects of facing the past, exfoliating the identity label and taking root in the compatriots with a view to maintaining the subjectivity of American contemporary blacks in the mainstream white culture and absorbing the foreign advanced Cultural process to maintain the subjectivity of national culture to provide some inspiration.