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尤金·奥尼尔于1923年创作的剧本《上帝的儿女都有翅膀》是一部重要的剧作,作为其三部现代主义作品之一,很好地体现了象征主义,表现主义戏剧的一些特点。在《上帝的儿女都有翅膀》中,作者用表现主义和象征主义的表现手法在背景和剧情发展中设置了人物的不同的笑声、自然音响和乐声等戏剧意象表现和象征了种族的对立和人物内心情感的外化,更好地体现了种族主义对杰姆和埃拉爱情的摧毁,以及种族主义作为一种文化沉淀对人的生理和心理的摧残。本文将对剧作中出现的声音意象进行解读。
Eugene O’Neill’s play “The Wings of God’s Children,” written in 1923, is an important play. As one of the three modernist works, it shows some of the characteristics of symbolism and expressionism drama . In “The Wings of God’s Children,” the author uses expressionism and symbolism to set out different characters of laughter, natural sound and musical performance in the background and story development, and symbolizes the racial Opposition and the externalization of the inner feelings of the characters better reflect the racist love of Jem and Ella, and the physical and psychological devastation of racism as a cultural precipitate. This article will interpret the sound image appearing in the play.