关于冲突在剧作中的意义,现在几乎已经没有人再争论了。那种以为苏联戏剧中‘无冲突’的论调。已经完全显露了自己的谬误。然而其影响却直到今天仍然未被彻底克服。这种影响表现在某些丧失了活生生的戏剧发展的剧本里,表现在某些批评论文一而宣称冲突是剧情发展的基础,然而同时又赞扬那些用消极的溺于冥想的、冷淡的态度表现生活的无冲突的剧本。正因为如此,所以戏剧冲突问题在目前仍有其全部尖锐性。 Almost no one has argued about the significance of conflict in the play. That kind of argument in the Soviet drama ’no conflict’ argument. Has completely revealed its own fallacy. However, its impact has not been completely overcome until now. This effect, manifested in some scripts that have lost their lively theater development, is manifested in the fact that some critics claim that the conflict is the basis for plot development, while at the same time praising those expressions of indifference to passive, meditative Conflict-free script for life. Because of this, the issue of drama conflict still has all its sharpening implications.