《赤壁》在屡屡创下中国电影市场票房纪录的同时,也从始至终承受着不绝于耳的各种挑刺声音。从进入21世纪到现在,这种现象一直伴随着中国商业电影的成长,同时也一直困绕着中国商业电影的投资者与创作者。在一个观影心理还不成熟、电影批评依然薄弱的今天.这一现象势必还将继续存在下去。这确实是一个令人挠头的难题。但毫无疑问的是,对于一部商业电影而言,尤其是对于纯商业电影《赤壁》而言,对于商业电影大师吴宇森而言.甚至是对 “Red Cliff” repeatedly set a box office record in the Chinese movie market at the same time, but also from beginning to end suffered endless prickling sound. From the 21st century until now, this phenomenon has been accompanied by the growth of commercial films in China, but also has been trapped around the Chinese commercial investors and creators of the movie. In a still immature film psychology, movie criticism is still weak today, this phenomenon is bound to continue to exist. This is indeed a daunting problem. But there is no doubt that, for a commercial movie, especially for the pure commercial movie “Red Cliff”, for commercial film master John Woo, even right