论文部分内容阅读
5月27日,新疆艺术学院美术系举行首届素描教学研讨会,同时展出了近年来师生中较为优秀的素描作品。从一定程度上讲,为师生的教与学起到了积极推动的作用,澄清了一些普遍存在于师生素描实践中的模糊问题。素描既是一切绘画(油画、国画、版画、雕塑等)的基础,参与绘画;又是一门独立的艺术,从而一直被重视,成为绘画领域需要不断探索的首要问题;不仅艺术院校的师生,而且许多现代绘画大师也从未放弃对素描的不懈探索追求。
On May 27, the first sketching seminar was held in the Art Department of Xinjiang Arts Institute and the best sketches of teachers and students in recent years were also exhibited. To a certain extent, it has played an active role in promoting the teaching and learning of teachers and students, and has clarified some vague issues that are common in the sketch practice of teachers and students. Drawing is not only the foundation of all painting (oil painting, traditional Chinese painting, printmaking, sculpture, etc.), but also an independent art, which has always been valued as the primary issue to be constantly explored in the field of painting. Not only art teachers and students , But also many modern masters of painting never give up the pursuit of the unremitting exploration of the sketch.