如果说,服装之于人类是遮寒蔽体的粗布,那建筑之于人类就是遮风挡雨的棚屋。如果说,服装之于人类是华美高尚的品位,那建筑就是富丽堂皇的情结。如果说服装是文明进步的图腾,那建筑便是积淀历史、传承文化的阶梯。可以说,建筑和服装在人类的不同发展阶段所扮演的角色都不尽相同,但是不变的是建筑与服装那难以割舍的同命情缘。人类文明再进步,工业再发达,但是在相同时期建筑与服装永远在时代潮流里共同进退。服装是行走的建筑,建筑是岿然的艺术。二者相辅相成,互相影响,相互进步,继承着每个时代的艺术思潮,承载着世界文明的蜕变,更体现着历史上审美品位的变迁与轮回,却又有各自独特的品性。服装的变化日新月异,而建筑仿佛长者,伫立在一旁,审视着服装从沉静到活泼、从端庄到简约、从复古到未来。服装就像是孩童,总是奇思妙想,思维怪诞,而建筑就像是母亲,对孩提不离不弃,且对于孩童的影响却也始终未变。 If we say that clothing is for man, it is a rough cloth covering the body of a man who is sheltered from shelter. If you say that the clothing is of humanity is noble and noble taste, that architecture is magnificent complex. If clothing is a totem of civilized progress, then architecture is the history of heritage, cultural heritage ladder. It can be said that the roles of architecture and clothing in different stages of development of mankind are different, but what remains unchanged is the identical love affair between architecture and clothing. Human civilization is further improved and the industry is re-developed. However, construction and clothing will always advance and retreat together with the trend of the times in the same period. Clothing is walking construction, architecture is a sudden art. The two complement each other, influence each other and progress with each other. They inherit the artistic trend of thought of each era, bear the transformation of world civilization, reflect the changes and reincarnations of the aesthetic taste in history, but have their own unique characteristics. Changes in clothing with each passing day, and the building as if the elderly, standing in the side, looking at the clothing from quiet to lively, from dignified to simple, from the retro to the future. Clothing is like a child, always whimsy, grotesque thinking, and architecture is like a mother, never betray children, and the impact on children has not changed.