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梁志英是华裔美国文学新生代作家,其短篇小说集《凤眼》自出版以来在美颇受好评,但中国大陆对其研究相对较少,目前的研究也多从酷儿理论入手。本人发现在叙事进程中,《凤眼》中的时间得到了淡化处理,而其空间概念得到强化。本文以空间叙事理论为出发点对《凤眼》进行解读,并结合其短篇小说的特性进行分析,分别从地形空间、身体-性空间和文本空间三方面展开,尝试为《凤眼》以及新生华裔作家作品的解读提供新的空间。
Liang Zhiying is a new generation of Chinese American literature writer. His short story collection “Feng Yan” has been well received in the United States since it was published, but its research in China is relatively rare. So far, most studies have started with Queer’s theory. I found that in the narrative process, the time in the “phoenixes” has been desalinated, while its spatial concept has been strengthened. Based on the theory of spatial narration, this essay analyzes the “phoenixes” and analyzes the characteristics of the short stories, starting from three aspects: topographic space, body-sexual space and text space, The interpretation of the writer’s work provides new space.