书画的造假与辨伪,它们二者呈此消彼长的“互动”态势。基于当前社会上书画辨伪实力曲相对滞后,诸多种书画作伪手段便得以极大地“发扬光大”。它们不断向欺骗性更强、迷惑性更大的趋势在发展衍化。上回说到的“完全佚名”造假,它的“升级版”就是此次我要向大家披露的“不完全佚名”作伪。抑或是此招术“魔高”的缘故,一些著名的书画与鉴定家纷纷被卷入到造假(或称“指假为真”)旋涡之中…… Fraudulence and false identification of calligraphy and painting, both of them are in the “” interactive “posture. Based on the relatively lagging behind of the actual strength of calligraphy and painting in society at present, many kinds of calligraphy and painting can make a great ”carry forward.“ They are constantly evolving toward more deceptive and deceptive. Said last time ”completely anonymous “ fraud, its ”upgrade version “ is what I want to disclose to you ”not fully anonymous “ pseudo. Or is this trick ”magic high “ sake, some famous painting and calligrapher have been involved in the fake (or ”refers to the fake is true ") vortex ... ...