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敦煌是丝绸之路上的一颗璀璨的明珠,它是中西方文化、经济、佛教艺术的集散地,在这里形成了敦煌石窟替我们保存了从魏晋到宋元一千多年的形象的艺术和文化史料,而其中占主导地位的壁画,在这其中隋唐时期敦煌壁画才真真摆脱了西方的佛教艺术的影响,形成了自己独特的风格。本文从敦煌壁画的造型入手,分别研究壁画中的供养人画像、菩萨、飞天的造型手段及线造型的艺术形式进行归纳总结。在此基础上,研究如何将隋唐时期敦煌壁画造型手段、特点及线造型的艺术形式应用到当代人物画当中。
Dunhuang is a bright pearl on the Silk Road. It is the center of culture, economy and Buddhism of China and the West. Dunhuang Grottoes formed the art of preserving the image of us from the Wei and Jin to the Song and Yuan dynasties over a thousand years Cultural historical materials, of which the dominant murals, in which the Dunhuang murals in the Sui and Tang Dynasties truly out of the influence of Western Buddhist art, formed its own unique style. This article starts with the modeling of Dunhuang murals, and summarizes the art of the murals, the bodhisattvas, the modeling tools of flying and the art of line modeling respectively. On this basis, we study how to apply the art forms of Dunhuang murals, features and line style in the Sui and Tang dynasties to contemporary portraits.