所谓残缺是相对于完美而言。在生活中,我们都力求避免所谓的残缺不全,都期望事事圆满,然而事实上,人生不如意十之八九,时间不能永远定格在美好的瞬间,因此月有阴晴圆缺,人有旦夕祸福。然而在艺术当中,法国雕塑家罗丹却曾说过“残缺也是一种美”。在艺术创作中,将残缺的理念融入到作品之中,突破其完整的形体,有时能收到意想不到的效果,具有更大的想象空间,使得作品的艺术表现力得到更大的升华。在传统雕塑中,我们都知道断臂维纳斯与罗丹创作的巴尔扎克像,维纳斯因为其残缺不全的身体而给我们更大的想象空间,巴尔扎克像因为被截断的双手而变得更加简练。我国的现代陶艺在继承了传统陶艺技艺的同时顺应时代潮流的发展,现代陶艺在精神上追求自我内在的表达和个性的反映。在物质上追求泥土、釉料、柴火等的浑然天成。在材料方面,追求突出材质的特性,综合运用多种材质。在造型方面,不再像传统陶艺中一味地追求作品的完整与完美性,甚至有意识的突破形态空间,成就作品在造型上的残缺之美。在装饰方面,突破传统的装饰技法,现代陶艺创作中突破的运用表面肌理装饰与釉料的缺陷之美进行装饰。笔者对现代陶艺造型中的残缺之美进行了阐述与分析。 The so-called incomplete is relative to perfection. In life, we all strive to avoid the so-called incompleteness and expectation of a happy event. However, in reality, life is not as good as it could as long as possible, and time can not be fixed in a beautiful moment forever. Good fortune. However, among the arts, the French sculptor Rodin once said that “incompleteness is also a kind of beauty.” In artistic creation, integrating incomplete ideas into works, breaking through their complete bodies, sometimes receiving unexpected results, giving them more imagination and making works more sublimated artistic expression. In traditional sculptures, we all know Balzac’s images of Venus and Rodin, and Venus gave us more imagination because of its incomplete body. Balzac, as a result of the truncated hands, Become more concise. Modern ceramic art in our country inherits the traditional pottery artistry and conforms to the development of the trend of the times. Modern pottery spiritually pursues the reflection of the inner expression and personality of the self. In the material pursuit of soil, glaze, firewood, etc. totally natural. In materials, the pursuit of outstanding material characteristics, the comprehensive use of a variety of materials. In terms of styling, it is no longer as traditional ceramic art blindly pursue the integrity and perfection of works, and even consciously break the morphological space, achievements in the shape of the fragmented beauty. In the decoration, breaking the traditional decorative techniques, modern ceramic art breakthrough in the use of surface texture decoration and glaze defect beauty decoration. The author expounds and analyzes the incomplete beauty in the modern ceramic art.