意象,作为一种理论话语,之所以能够成为当今的美学热点,不仅在于其贯通古今中西美学,而且以其而成为艺术审美的核心范畴;与“形象”等概念范畴相比较,意象更具有本体性、整合性与包容性。意象,既关乎历史本体的展开,更需要落实到心理本体的建构。在艺术中,意象构成了一个包含着形式意蕴于自身的完整的感性世界。意象不仅构成了艺术的基本粒子,而且体现出艺术之本质。 Image, as a theoretical discourse, can become the hot spot of aesthetics today, not only because of its connection with ancient and modern Chinese and Western aesthetics, but also as the core category of artistic aesthetics. Compared with the conceptual categories such as “image”, imagery is more With the nature, integration and inclusiveness. Image, not only related to the development of historical noumenon, but also need to be implemented to the construction of psychological noumenon. In art, the image constitutes a complete emotional world containing its own form. Images not only constitute the basic particles of art, but also reflect the essence of art.