当年出洋留学的学生,多数都没有完成汉文化基本教育要理清20世纪的中国美术史,要有哲学家气质的学者。上世纪80年以后的研究生、博士、只懂些洋八股。人在中国,说的却是西话。学院的教育方式,是把天才和无才者都造成中下等的画家。庸才循序渐进,天才则是跳跃性进步,但他们同在一个班级,按同样的教学进度,结果变成了冬青树,一样高。20世纪所有的外来艺术种类,电影、版画、油画、电视、甚至包括体育,都只有名人和明星,但是没有诞生真正的学者。田汉被称为电影的保姆,也是个好诗人,但不是好学者。这是因为当时留学海外的那批人,只有两类:一类是富家少爷,如刘海粟,在国外游学,没读什么书;一类是穷学生,闭门读书,志在拿文凭,好回国当教授。他们的知识结构都有严重的缺陷。晚清的中国书画看似繁荣,其实创 Most of the students who went abroad to study in that year did not complete the basic education of Chinese culture. It is necessary to sort out the history of Chinese art in the 20th century and have scholars of philosophers’ temperament. 80 years after the last century, graduate students, Ph.D. People in China, it is said that the West. College education is a genius and no talent who have caused the painter. The geniuses step by step, genius is a jumpy progress, but they are in the same class, according to the same teaching progress, the result turned into a holly, as high. All the 20th century art genres, films, printmaking, oil paintings, television, and even sports are celebrities and celebrities but no real scholar was born. Tian Han is known as the film’s nanny, but also a good poet, but not a good scholar. This is because there were only two groups of overseas students studying at that time: one was a young rich man, such as Liu Haisu, who was studying abroad and did not read any books; one was poor students, studying behind closed doors, Returning as a professor. Their knowledge structure has serious flaws. Late Qing Dynasty Chinese calligraphy and painting seems to be prosperous, in fact, created