在人物绘画中,李犁善于运用透明覆色,在调色油稀释后,他进行多层描绘,让颜色隐约透露,形成微妙色调。例如,在红色上覆盖蓝色,就会产生蓝中透紫的丰富效果,尤其能惟妙惟肖地描绘出人物肌肤细腻的色彩变化,让人感到肌肤上流动血液。在不透明的覆色里,他用单色画出形体大貌,然后用颜色多层次塑造,让暗部单薄,亮部厚涂,或盖或留,形成色块对比。由于透明覆色与不透明覆色,厚薄不一,可以显出色彩的韵意肌理。虽然透明覆色与不透明覆色,没有严格 In the figure painting, Li Li is good at using transparent overlay. After toning oil is diluted, he carries on multi-layer depiction, let the color vaguely reveal, form subtle hue. For example, the red over the blue, it will have a rich blue through the purple effect, in particular, can vividly depict the delicate skin color changes, people feel the blood flowing on the skin. In the opaque overlay, he used monochrome to draw the big picture, and then use the color multi-level shape, so that the dark thin, light thick coating, or cover or left to form color contrast. Due to the transparent color and opaque color, thickness varies, you can show the color of the rhyme texture. Although the transparent color and opaque color coverage, there is no strict