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审美关系理论是现代美学基础理论的重要组成部分，它不仅关系着审美特性、美感经验以及与之相应的美的感性形态的生成问题，而且关系着美的根源或美学本体论问题。中国现代美学早在30年代就对审美态度和审美关系作出了较系统的论述，在一度中断之后，进入80年代又一次提出这个问题，这表明审美关系作为现代美学课题所具有的重大理论价值和无法回避的历史意义。审美关系理论仍需要向前推进，仅仅局限在经验地描述审美不同于实用和科学的特点，已经远远不能适应当代美学的研究水平。实际上，非实践、非认识的审美关系，恰恰是从实践和认识两大关系中转化升华出来的，为了深入理解审美关系，必须首先理解实践关系和认识关系，只有在这个基础上，我们才能看到作为两者综合的审美关系及其特性是如何形成的，看到美的形态是在怎样条件下呈出来的。这些理论，将为审美关系的动态研究，为美的形态和艺术创造的历史研究，提供美学基础理论的支撑。
The theory of aesthetic relations is an important part of the basic theory of modern aesthetics. It not only relates to the formation of aesthetic characteristics, aesthetic experience and corresponding aesthetic formations, but also relates to the root of beauty or the problem of aesthetic ontology. As early as the 1930s, China’s modern aesthetics made a more systematic discussion on the aesthetic attitude and aesthetic relationship. After being suspended for a long time, it entered the 1980’s once again and raised the issue. This shows that the aesthetic relationship has great theoretical value as a topic of modern aesthetics and Unavoidable historical significance. The theory of aesthetic relations still needs to be pushed forward. It is limited to empirically describe aesthetic characteristics that are different from practical and scientific features, and are far from adapting to the research level of contemporary aesthetics. Actually, the non-practical and non-understanding aesthetic relationship is precisely transformed and upgraded from the two relationships of practice and understanding. In order to understand the aesthetic relationship in depth, we must first understand the relationship between practice and understanding, and only on this basis can we See how the aesthetic relations and their characteristics, as a combination of the two, are formed, and how conditions of the beauty are presented. These theories will provide a dynamic study of the aesthetic relations, a historical study of the creation of the United States and the creation of art, and provide support for the basic theory of aesthetics.