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江俊绪在《大众电视》(1988年第五期)上发表题为《戏曲电视剧特点初探》的文章。他认为,戏曲是一项“虚”的艺术,它以虚拟的程式化动作为主要表现手段。电视剧却是一项“实”的艺术,它以录像机摄取真实影像,创造假定的然而是符合生活原貌的规定情景。一个趋向“虚”,一个归于“实”,这两种艺术对立又统一的规律,成为戏曲电视剧的基本规律。在环境布置方面,实景拍摄从根本上动摇了象征性的戏曲舞台美术原则,但依然必须顾及戏曲的虚拟特征,
Jiang Junxu in the “Volkswagen TV” (fifth issue in 1988) on the topic entitled “drama drama characteristics of” article. He believes that drama is a “virtual” art, which uses virtual stylized movements as the main means of expression. The drama is a “real” art, which uses video recorders to capture real images and create what is assumed but consistent with the original conditions of life. A trend of “virtual”, one attributed to “real”, the two art of the law of opposition and unity, become the basic law of drama TV series. In terms of the layout of the environment, the filming of the live action fundamentally shakes the symbolic opera stage art principle, but still must take into account the virtual characteristics of the opera,