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明清以来,说唱道情在江苏流传久远广泛。江苏地区的文人道情由吟咏离尘绝俗之情,转而寄托更加丰富的思想情感,具有现实干预精神。民间说唱道情由讲述道教故事扩大为历史故事和民间传说。说唱道情以渔鼓、简板为伴奏乐器,表演形式有沿街走唱、堂会演出、书场演出,传播者有道徒、艺人、瞽者、乞儿,以及非职业演唱者的即兴演唱。道情的内容循着醒世觉人、劝善说教、感时伤世的轨迹缓慢地发生着变化。
Since the Ming and Qing Dynasties, the rap scene in Jiangsu has spread far and wide. The literati in Jiangsu Province, who chant away from the desecration and demeanor feelings in favor of richer ideological emotions, have the spirit of realistic intervention. Folk rap talk expands from narration of Taoist stories to historical stories and folklore. Singer drums, simple board accompaniment for musical instruments, performances along the street to sing, church performances, book shows, communicators have Taoist, entertainers, widowers, beggars, and improvisation of non-professional singers. Daoist content follows the awakening of the world, persuade good to preach, feeling when the trajectory of the world changes slowly.