农民音乐对于艺术的高级形式始终产生着影响.为了不至追溯得过远直至难以知晓的年代,让我们首先来考察一下十七、十八世纪的田园曲(Pastoral)与风笛曲(Musette),这些作品现存无几,唯有那时期用风笛或绞弦琴演奏的民间音乐的抄本而已.众所周知,维也纳古典派作曲家在很大程度都受过民间音乐的影响.例如,贝多芬的《田园交响曲》中,第一乐章的主要动机是一首南斯拉夫舞曲的旋律,贝多芬可能是在匈牙利西部,显然是从风笛演奏者处听到过这个主题;乐章的开始部分,在小节中有一个固定音型的反复,标明了这样一种的联系. Farmer’s music has always had an influence on the advanced forms of art, so instead of going back far beyond the unknown, let’s examine Pastoral and Musette in the seventeenth and eighteenth centuries, There are only a few copies of these works, only the transcripts of folk music played in the bagpipes or the whistles of that period.As we all know, the Viennese classical composers are largely influenced by folk music.For example, Beethoven’s “Pastoral Symphony ”, The primary motivation for the first movement was the melody of a Yugoslav dance, which Beethoven might have heard in western Hungary, apparently from the bagpiper; the beginning of the movement had a fixed pitch in the bar Repeated type, indicating such a link.